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K11 Art Foundation and Palais de Tokyo continue their 3-year-collaboration by presenting Chinese young artist Tianzhuo Chen first solo exhibition at Palais de Tokyo in Paris in June this year. >> Read more

[Press Release] STRANGE DAYS:Two Solo Projects by Chen Tianzhuo and Wang Jiaxue Opening Reception:July 19th 2014 6:30-8:30PM Special Performances:July 19th 7:00PM,July 20th 3:00PM July 19-August 31st 2014 >> Read more

In the first days of summer, Tianzhuo Chen came to Berlin to open up his hybrid universe, Zhuangzi's dream of the butterfly. >> Read more

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> Read more

Dissecting the piece as a whole, I found no link between these images, which constituted an anything-goes pile-up of various symbols: Tantric Buddhism, Taoism, body politics, the larger narrative of human civilization, reincarnation, redemption, self-examination, revelation, purgatory, Hieronymus Bosch’s “Ship of Fools” and “The Seven Deadly Sins”. . . >> Read more

This exhibition gathers 100+ works by 65 important artists, spanning various media and types. >> Read more

“Peepshow” presents an extension of a perspective, emphasizing ways of casting spells on what is “daily” within new segmentations of time in order to permit serious consideration of it.
 
 
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Initiated by the Paris-based collector and founder of Happy Art Collectors, Claude Fain, and co-founded and directed by Alexandra Fain, ASIA NOW opened for the first time. The fair was ideally placed in Espace Pierre Cardin, diagonally across the street from FIAC’s home in the Grand Palais... >> Read more